The Dinner Party – A 1,038-Woman Table Setting Honouring Women Through History

Culture
By Nathaniel Rivers

Step into a room where history finally has a seat for the women who shaped it. The Dinner Party invites you to look closely and feel seen, as 1,038 names gather around a glowing triangular table. You will notice exquisite craft and bold symbolism working in tandem to rewrite the narrative you were taught. Stay with it a moment longer, and the installation starts to feel like a living archive that is speaking directly to you.

What it is: A landmark installation by Judy Chicago

© Brooklyn Museum

The Dinner Party is a monumental installation by Judy Chicago, created between 1974 and 1979, that welcomes you into a triangular banquet of memory. Each of the 39 place settings honors a significant woman or mythic figure, from ancient goddesses to scientists, writers, and activists, using hand-painted porcelain plates and elaborately embroidered runners. As you move along the edges, you can read the stories embedded in symbols, colors, and materials, feeling how design becomes biography.

Craft is not just decoration here. Ceramics, textiles, and needlework reclaim techniques often dismissed as feminine and elevate them into a bold visual language. You will notice how the table unites craft and fine art through gleaming surfaces, stitched narratives, and sculptural presence.

Beneath and around the table, interpretation panels deepen the experience, guiding you to see how each motif reflects the honoree’s context. The triangular form, roughly 48 feet per side, holds space for equality and shared recognition. As you take it in, the work reads like a ritual of welcome, an invitation to remember differently and more completely.

The Heritage Floor: 999 more names, one shared memory

© Brooklyn Museum

Look down and you will find the Heritage Floor, an expanse of porcelain tiles inscribed with 999 additional names. This quietly powerful field transforms the installation from a banquet of 39 to a chorus of 1,038 voices, extending recognition beyond the familiar and the famous. You may notice a rare archival quirk too, a mistaken male entry that underscores how messy and human recovery work can be.

Walking the perimeter becomes an act of reading and remembrance. The names cluster into genealogies of influence, linking artists, scientists, rulers, mystics, and community builders. You start to sense how collective memory grows when you map networks instead of isolated stars.

This dual structure makes the piece feel both intimate and vast. Place settings offer richly textured portraits, while the floor widens the lens to include those who shaped culture offstage. The result is a sweeping, inclusive monument that turns a static list into a living archive you can navigate with your eyes and your feet.

Where to see it and why it matters

© PBS

You can visit The Dinner Party on the 4th floor of the Brooklyn Museum, in the Elizabeth A. Sackler Center for Feminist Art, where it has been on permanent display since 2007. Expect the triangular table, 39 place settings, embroidered runners, ornate plates, and goblets, along with contextual banners and panels that guide your viewing. Give yourself time to circle the table and then trace the Heritage Floor, so the names and symbols start to connect.

The work matters because it challenged how museums and textbooks decide who counts. Created in the mid 1970s by Judy Chicago and hundreds of collaborators, it turned traditionally undervalued crafts into monumental statements. Even through controversy and touring years, it demonstrated how art can change what gets remembered.

Today, the installation functions as both a memorial and a catalyst. You will feel how ritual, craft, and research combine to rewrite history’s seating chart. If you care about feminist history, visual storytelling, or inclusive commemoration, this room offers a rare, immersive encounter with memory made visible.